Mate, you’ve dropped 10! I’ll let you off the hook this time, but let’s keep our noses clean going forward, hm?
Here are mine — I’ve specifically listed comic books and not comic
strips, of which my list would be completely different. I’ve also left off manga and webcomics for sheer purity. Without further ado…
#5:
Love and Rockets: Heartbreak Soup. I just got into LaR this very year, and I was so glad I did — these comics are awesome. I haven’t read any of the other sub-series, but the Palomar story is just like watching a telenovella — characters and their world grow, hate, and love one another, and everything is always extremely entertaining.
The black-and-white art is great — it would lose a lot of personality in colour — and I just like being in the setting of 1950s-1970s rural Mexico. I quite literally said
“Aaaawww…” when I saw one of the girls in this grow up and have kids of her own, which should be recommendation enough.
#4:
Sonic the Comic. For those who don’t know: this was the UK’s original Sonic series published by Fleetway that ran for about six years in the 90s. During that time, the writers took the character and his world in a really weird, insane direction, but I think it totally worked, and I love a lot of the original concepts introduced. (The Metallix are effing based as hell, gyatt!)
Much of the artwork sucks, but when it’s good, the world really comes alive in a way no other Sonic series does. The English understand this character much more than Americans do... maybe even more than the Japanese.
#3: Doug TenNapel’s
Gear. It’s Evangelion with cats, and for my money, ol’ Dougie can plant his foot straight up Hideki Anno’s bot-bot any day. I really love how this book plays so much with the comic format — in addition to having beautiful artwork, characters and scene elements spill out of their panels and leap through gutters, interacting with the actual “reality” of the comic in very cool ways I’ve never seen anyone else do.
I remember so many little one-page vignettes from this — TenNapel really crammed a lot in six issues. I could see people who don't like cute characters brutally dying or heavy-handed religious symbolism disliking it, but if you're OK with those things, this is a great read. Awesome villain, too.
#2:
The Crab with the Golden Claws. Every Tintin album is fucking phenomenal, start to finish, but I'd rank this one as the "best" purely by merit of having the most recognizable iconography, an exceptionally-good story, and some of the best characterization I've ever seen in a fictional work. I love how smoothly every plot point is introduced and feeds into one another – it's a really fun, rollicking adventure, and what it lacks in complexity it owns in pure, classic spirit.
ALSO: If you've never read this – or even if you have – check out the adaptation Nelvana did in their 90s Tintin animated series. It's a great, accurate retelling of this in a fully-voiced cartoon form, and lends a unique appeal to Hergé's writing.
#1:
Bone by Jeff Smith. This series was my childhood distilled into a nine-volume set. It has my single favourite premise for any media ever — cartoon characters get lost in a serious world and are swept up in adventure — and everything, from the cast to the dialogue to the scenery, is dripping with sincerity and appeal.
It’s gorgeously-drawn, funny, charming, exciting, and has some truly phenomenal character design. I love this series like little else, and I want to live in its beautiful world. Jeff Smith never really did anything besides Bone (excluding little spinoffs here and there), and I honestly think that's for the best. Highly recommended for all ages.