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I often see people calling something a plagia simply because it follows a very similar chord progression (not the full melody) and when something is remixed a lot when does it becomes its own thing? Remember how many songs used samples (from other songs) to the point it became original.
And when a song enters public domain is this no longer plagiarism in a strictly legal sense?
By definition Doom 1&2 could've been forbidden games simply because of the heavy inspirations over actual rock and metal songs.
And then you got one of the most beloved music composer in video game History, Koji Kondo, who took a lot of existing songs for his music
And a more infamous exemple that has been known for quite a while on the Internet with Yuzo Koshiro's Streets of Rage
And when a song enters public domain is this no longer plagiarism in a strictly legal sense?
By definition Doom 1&2 could've been forbidden games simply because of the heavy inspirations over actual rock and metal songs.
And then you got one of the most beloved music composer in video game History, Koji Kondo, who took a lot of existing songs for his music
And a more infamous exemple that has been known for quite a while on the Internet with Yuzo Koshiro's Streets of Rage
triple-q
pigs (never heard before) vs fate of sixty years (fucking love it!) is really interesting. Thanks for sharing that! I like floyd ok, but don't listen a lot, so also thanks for that because I like that song. Even assuming the worst and it was stolen/lifted (like you, I think it was accidental, it's a short enough and good sounding interval to find), the usage I think is different enough for those songs.