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Message: [QUOTE="Pearly, post: 278926, member: 115914"] Drakengard 1, ending A, anguish of an unsmiling watcher. Caims reaction in that ending mirrored my own. The only ending that genuinely made me feel emotional, finished hundreds of games throughout my life, this was the only one to make me feel this way. Felt it when I played it in my early teens and again a few years ago as a grown ass man. All of Yoko Taros works are tear jerkers though, it's almost a gift of his alongside the bleak melancholic nature of his works. Drakengard 3 is up there with all of these except most fans did not play past the first "sister" and gave up on it. Just as great as his other works but this shows his sense of humour and that seemed to be particularly polarising. Imagine Kaine's characterisation but build a whole game around that dialled up to 11. Mainly sex/perversion based humour and copious amounts swearing for humorous reasons(much like Kaine), I'd imagine if the swearing didn't put many off, the sex stuff did. Characters fetishes are a constant talking point. Prudes ruined drakengard 3, because the gameplay was what could typically expected of cavia, but a more linear musou like experience. The original drakengard really didn't age well though outside it's story and chracters, no way it's getting remade either what it's subject matter. The music in the stages are shit tier and the gameplay is a stiff musou, dragon combat was ace though. Since it was done by the ace combat team. Classic example of an artist is not always so in every field, he should only lift a pen to daw, never write. I really need to get around to playing DQ 9, I really really do. I've finished all of them bar 7, 9 and 11. [/QUOTE]

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