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Message: [QUOTE="soulsas, post: 188432, member: 25845"] AC3 is such a haunting and evocative concept, and its treatment of AI and humanity feels ahead of its time, especially considering the game’s 1999 release. Tetsukazu Nakanishi's soundtrack is phenomenal — that blend of ambient techno and trance made the skies feel both isolating and transcendent. Playing Ace Combat 3: Electrosphere in Brazil with my brothers was something truly special. We had the Japanese version — we didn’t understand a single word of the text, but somehow, we felt everything. The atmosphere, the music, the way the missions unfolded — it all spoke a language beyond words. We'd sit around the screen, taking turns flying through the clouds, dodging missiles, and slowly piecing together what the story might be about. Even though we didn’t grasp the dialogue or the intricacies of the plot at the time, there was a kind of unspoken understanding — that this game was about more than just jets and explosions. It was mysterious, a little haunting, and incredibly immersive. We didn't need translations to feel the emotional weight of the music, the design of the world, or the melancholy floating in the skies of the Electrosphere. [/QUOTE]

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