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Message: [QUOTE="Zerpina, post: 454832, member: 51053"] [CENTER]It's an anime series. I really don't know where else it would fit, but I digress... [I][ATTACH type="full" width="323px"]165380[/ATTACH] [B][COLOR=rgb(247, 218, 100)](Still one of the most badass DVD covers ever)[/COLOR][/B][/I] There are a lot of shows that get labeled as “dark” but most of them still operate within familiar boundaries. They shock you, they escalate, they give you clear villains and catharsis. Monster doesn’t really do any of that. It’s quieter, more patient, and a lot more interested in making you sit with discomfort than in entertaining you in a conventional way. On paper, the premise is almost simple. Dr. Kenzo Tenma is a highly respected neurosurgeon working in Germany, with a career that’s about to peak. He’s valued, trusted, and positioned to rise even higher. Then he makes a decision that, morally, feels obvious, he chooses to operate on a critically injured boy instead of a powerful political figure who arrives later. It’s the kind of choice that aligns with everything he believes about medicine.... that all lives are equal. That decision destroys his life. [ATTACH type="full" size="275x183"]165382[/ATTACH][ATTACH type="full" size="274x184"]165383[/ATTACH] [I][B][COLOR=rgb(247, 218, 100)](FUUUCCCKKK when did Krillin get here?)[/COLOR][/B][/I] The boy he saves is Johan Liebert, and years later, it becomes clear that saving him may have unleashed something irreparable. From that point on, the story turns into a long, winding pursuit... not just of Johan, but of responsibility, identity, and whether a single “good” choice can still lead to something unforgivable. What makes Monster stand out is that it never treats this as a simple mistake Tenma needs to fix. It treats it as something permanent. There’s no undoing it, no clean redemption waiting at the end. [I][B][COLOR=rgb(247, 218, 100)][SIZE=6]The structure - a story built out of people, not just plot[/SIZE][/COLOR][/B][/I] One of the first things that stands out is how the narrative refuses to stay narrowly focused. This isn’t just Tenma chasing Johan from point A to point B. Instead, the story constantly branches outward. Entire episodes... and sometimes multiple episodes, focus on people who seem, at first, unrelated. A struggling couple. A former soldier trying to live quietly. A child dealing with loss. A man barely holding himself together. These aren’t throwaway characters. They’re given time, detail, and space to exist as complete individuals. At first, it can feel like the story is wandering. But gradually, a pattern forms. You begin to see how Johan’s influence spreads... not always directly, not always visibly. Sometimes he’s barely present at all, and yet the damage is there. Other times, people who have never met him still reflect the same fractures he represents. [ATTACH type="full" size="275x183"]165385[/ATTACH] [I][B][COLOR=rgb(247, 218, 100)](M... MOM?!)[/COLOR][/B][/I] The result is that the world of Monster feels interconnected in a way that’s hard to fake. It’s not just a story about one man hunting another, it’s about how one existence can ripple outward and alter countless others. [I][B][COLOR=rgb(247, 218, 100)][SIZE=6]Pacing - deliberate to the point of discomfort[/SIZE][/COLOR][/B][/I] The pacing is one of the most divisive aspects of the series, and for good reason. It is slow. Not occasionally slow, but consistently, intentionally slow. Scenes linger longer than you expect. Conversations unfold without urgency. The show is willing to spend time on silence, on routine, on small details that don’t seem to push the plot forward. If you’re used to stories that reward your attention with constant progression, this can feel frustrating. There are stretches where it seems like nothing is happening. But the longer you stay with it, the more it becomes clear that everything is happening... just not in obvious ways. The slow pacing gives weight to decisions. It lets you understand characters before they’re pushed into difficult situations. It makes consequences feel earned instead of abrupt. And when something does happen... when violence breaks out, or a truth comes to light, it lands harder because the show hasn’t numbed you with constant escalation. [B][I][COLOR=rgb(247, 218, 100)][SIZE=6]Johan Liebert - less a villain, more an absence[/SIZE][/COLOR][/I][/B] [ATTACH type="full" size="259x195"]165386[/ATTACH] [I][B][COLOR=rgb(247, 218, 100)](Honestly, he's a really well thought out villain, even though he looks like your typical yuppie asshole)[/COLOR][/B][/I] Johan is often described as one of the greatest antagonists in anime, but even calling him an antagonist feels slightly off. He doesn’t dominate scenes in a traditional sense. He doesn’t need to. His presence is often indirect, and sometimes entirely off-screen. What makes him unsettling is how little he has to do to cause damage. He speaks softly. He rarely raises his voice. He doesn’t rely on force unless absolutely necessary. Instead, he listens. He observes. And then he says exactly the right thing to the right person at the right time. There’s something deeply uncomfortable about how he operates. He doesn’t impose anything on people that wasn’t already there. He doesn’t create darkness so much as reveal it. People unravel around him because he shows them something about themselves they can’t handle. What the show does especially well is refusing to fully explain him. There are glimpses of his past, suggestions of trauma, pieces of a larger picture... but nothing that neatly resolves into [B][I][COLOR=rgb(250, 197, 28)]“this is why he is the way he is”[/COLOR][/I][/B] That lack of clarity is intentional. Giving Johan a clean explanation would make him easier to categorize, easier to distance from. Instead, he remains ambiguous... something you can analyze, but never fully pin down. [B][I][COLOR=rgb(247, 218, 100)][SIZE=6][/SIZE][/COLOR][/I][/B] [I][B][COLOR=rgb(247, 218, 100)][SIZE=6]Tenma’s descent - not into darkness, but into contradiction[/SIZE][/COLOR][/B][/I] [ATTACH type="full" size="183x275"]165387[/ATTACH] [I][B][COLOR=rgb(247, 218, 100)](Tenma’s arc is one of erosion rather than transformation)[/COLOR][/B][/I] At the beginning, he’s clear about who he is and what he believes. A doctor saves lives. Every life has equal value. That certainty is what drives his initial decision. But once he understands what Johan has become, those beliefs stop functioning the way they used to. The idea that all lives are equal becomes harder to hold onto when one of those lives is responsible for so much suffering. What’s compelling is that Tenma never fully abandons his principles. He struggles with them, questions them, bends under their weight... but he doesn’t simply discard them for the sake of convenience. This creates a constant tension. He’s chasing someone he believes must be stopped, possibly killed, while still trying to remain the kind of person who would never make that choice lightly. There are moments where he seems ready to cross that line, and moments where he pulls back. The show never presents these as victories or failures. They’re just… choices. Each one carrying its own cost. [B][I][COLOR=rgb(247, 218, 100)][SIZE=6]Supporting characters: the moral landscape of the story[/SIZE] (Nope >:p )[/COLOR][/I][/B] A lot of what gives Monster its depth comes from the people surrounding the main narrative. Characters like Nina Fortner [I][B](Johan’s twin sister)[/B][/I] detectives, criminals, civilians, all of them add different angles to the central questions of the story. Nina, in particular, acts as a counterpoint to Johan, showing how two people with shared origins can diverge so completely. Then there’s Inspector Lunge, whose rigid, almost mechanical approach to justice contrasts sharply with Tenma’s internal conflict. Where Tenma doubts, Lunge insists. Where Tenma hesitates, Lunge advances. Their dynamic highlights different ways of confronting truth.... and the limitations of both. Even minor characters often feel like they could carry their own stories. The show takes care to show not just what happens to them, but how they process it. Some break. Some adapt. Some try to move on and fail. It creates a sense that no one is immune to the kinds of pressures the story explores. [B][I][COLOR=rgb(247, 218, 100)][SIZE=6]Themes - identity, emptiness, and the illusion of control[/SIZE][/COLOR][/I][/B] [ATTACH type="full" size="300x168"]165390[/ATTACH] [I][B][COLOR=rgb(247, 218, 100)](No Johan it's ok, sometimes Guy's like to feel pretty to)[/COLOR][/B][/I] If there’s a single thread running through Monster, it’s the question of what makes a person who they are. Is identity something stable, or is it something that can be shaped... or erased by circumstance? How much of who we are is chosen, and how much is imposed on us? Johan represents one extreme.... a person who seems to lack a stable identity altogether, someone who can become whatever is needed in the moment. Tenma represents the other.... someone who tries to hold onto a fixed moral core even as everything around him challenges it. Between them are countless variations. People shaped by trauma, by environment, by chance encounters. The show suggests that identity isn’t as solid as we like to believe, and that under the right conditions, almost anyone can change in ways they wouldn’t expect. There’s also a recurring sense of emptiness, not just in Johan, but in the world itself. A feeling that meaning isn’t guaranteed, that it has to be constructed, and that sometimes it collapses under pressure. [COLOR=rgb(247, 218, 100)][I][B][SIZE=6]The setting - realism as a source of tension[/SIZE][/B][/I][/COLOR] [ATTACH type="full" size="300x168"]165391[/ATTACH] [I][B][COLOR=rgb(247, 218, 100)](Come play with us....)[/COLOR][/B][/I] Setting the story in a grounded, European environment does a lot of heavy lifting. Hospitals feel like real hospitals. Streets feel like real streets. There’s no stylization to soften things. The world looks ordinary, which makes everything that happens within it feel more immediate. There’s also a historical undercurrent.... references to post-war trauma, political shifts, and social fractures, that adds another layer without ever becoming the main focus. It gives the story context without turning it into a history lesson. The realism extends to how people behave. Reactions are often subdued, delayed, or messy. People don’t always say what they mean. They make mistakes. They misunderstand each other. It all adds to the sense that you’re watching something that could exist just outside your own experience. [I][B][COLOR=rgb(247, 218, 100)][SIZE=6]Where it falters[/SIZE][/COLOR][/B][/I] For all its strengths, Monster can test your patience. The middle portion, in particular, can feel stretched. Some character arcs, while meaningful, seem to delay the central narrative. If you’re not invested in the broader thematic exploration, those sections can feel like obstacles rather than enrichment. There’s also the matter of resolution. The story builds toward answers but stops short of delivering them in a definitive way. For some, that’s exactly what makes it powerful. For others, it can feel like a lack of payoff. It asks a lot from the viewer.... attention, patience, willingness to sit with ambiguity.... and it doesn’t reward those things in conventional ways. [I][B][COLOR=rgb(247, 218, 100)][SIZE=6][/SIZE][/COLOR][/B][/I] [B][I][COLOR=rgb(247, 218, 100)][SIZE=6]What lingers[/SIZE][/COLOR][/I][/B] What Monster ultimately leaves you with isn’t a set of conclusions, but a set of questions that don’t go away easily. It’s the kind of story where specific scenes blur over time, but the feeling remains. A sense of unease, of quiet tension, of something unresolved. It doesn’t try to convince you of anything outright. It just shows you enough, from enough angles, that you start to question your own assumptions. And that’s where it hits hardest.... not in what it says, but in what it leaves unsaid. [B][I][COLOR=rgb(247, 218, 100)][SIZE=6]Final thoughts....[/SIZE][/COLOR][/I][/B] Would I watch this anime again? Absolutely, as I have already watched it several times. Is it for everyone? Absolutely not. But if you enjoy a good, long, winding story with drama mixed in, along with excellent storytelling and world-building, then definitely watch it. Yes, it's long and slow-paced, but the ending is the payoff, and it's well worth the wait.[/CENTER] [/QUOTE]

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